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|Cmaj7 B7 |Em7 A7 |Dm7 |G7 | (in this example, the B7 is the secondary dominant of Em7 and the A7 is the secondary dominant of Dm7) A chromatic passing chord is, "a chord that is not in the harmonized scale " [ 6 ] For example, one or more diminished seventh chords may be inserted:
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, ♭ 3, ♭ 5, 7). For example, the diminished seventh chord built on B, commonly written as B o 7, has pitches B-D-F-A ♭:
The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:
In 5-limit just intonation, the diminished chord on VII (in C: B–D–F) is 15:8, 9:8, and 4:3, while on II (in C: D–F–A ♭) it is 9:8, 4:3, and 8:5 (135:160:192). According to Georg Andreas Sorge , the trumpet , in its overtone series on C, gives the diminished triad E–G–B ♭ = 5:6:7 ("perfect diminished chord" [ 11 ] ), but the 7 ...
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Pages for logged out editors learn more. Contributions; Talk; Contents move to sidebar hide (Top) 1 Further reading. ... 3: Mix. ii–V–I progression: ii–V–I: 3 ...
[3] The tritone substitution can be performed by exchanging a dominant seventh chord for another dominant seventh chord which is a tritone away from it. For example, in the key of C major one can use D ♭ 7 instead of G 7 (D ♭ is a tritone away from G, and G is the dominant of C).
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e