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Part of unperformed collaborative ballet-opera-spectacle by Cui (Act 1), Mussorgsky and Rimsky-Korsakov (Acts 2 and 3), and Borodin (Act 4), with ballet music by Minkus. Borodin used material from his unfinished Prince Igor as the basis for Act 4. Finale orchestrated by Rimsky-Korsakov as a concert piece (1892)
Psyché is a five-act tragédie-ballet, originally written as a prose text by Molière and versified in collaboration with Pierre Corneille and Philippe Quinault, with music composed by Jean-Baptiste Lully in 1671 and by Marc-Antoine Charpentier in 1684 (music lost).
Gedeonov revised his conception as an opera-ballet, with a libretto by Viktor Krïlov, and in 1872 proposed through Vladimir Stasov a collaborative effort by four members of The Mighty Handful—César Cui, Nikolay Rimsky-Korsakov, Modest Mussorgsky, and Aleksandr Borodin—who were to write music for the sung portions of the libretto and ...
Three songs in each set were written by his sister Fanny Mendelssohn. [3] While each song was the product of one composer alone, as sets, they were collaborations. In 1840, around the time of their marriage, Robert Schumann and Clara Schumann published a set of 12 songs called Gedichte aus Liebesfruhling (Love's Spring). Clara wrote numbers 2 ...
Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
A luminous technique defines the documentary “Swan Song” as it unfurls its saga of famed ballerina Karen Kain’s final act as artistic director of the National Ballet of Canada: the helming ...
This list may not reflect recent changes. Classical music written in collaboration; C. Carnaval (ballet) D. ... (ballet) H. Hexaméron (musical composition) ...
Just as with literature and song, the libretto has its share of problems and challenges with translation. In the past (and even today), foreign musical stage works with spoken dialogue, especially comedies, were sometimes performed with the sung portions in the original language and the spoken dialogue in the vernacular.