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The story is told from the perspective of an online reality show created by Rick Jones to foster public acceptance of the Hulk as a hero and not a monster. The "show" is filmed by robotic flying cameras that accompany the Agents of the Supreme Military Agency of Super Humans (S.M.A.S.H.) everywhere they go, resulting in humorous vignettes and visual gags throughout each episode.
The Agents of S.M.A.S.H.'s biggest fan Impossible Man appears to join the Agents of S.M.A.S.H., combining Hulk and Red Hulk into the Two-Headed Compound Hulk for his own amusement. This also proves to be their biggest problem when Sauron absorbs Impossible Man's powers and summons the giant dragon Fin Fang Foom to battle them.
Hulk (Original Motion Picture Soundtrack) is the soundtrack accompanying the 2003 superhero film Hulk, directed by Ang Lee based on the Marvel Comics character of the same name, created by Stan Lee and Jack Kirby.
The Incredible Hulk: Stalker From the Stars (1978) The Incredible Hulk: Cry of the Beast (1979) Films and television; Film(s) Hulk (2003) The Incredible Hulk (2008) Television show(s) The Marvel Super Heroes (1966) The Incredible Hulk (1978–82) The Incredible Hulk (1982–83) The Incredible Hulk (1996–97) Hulk and the Agents of S.M.A.S.H ...
The Hulk and the Abomination both have two themes, representing their human and monstrous forms. The Hulk's theme was meant to be iconic and simple, like Jaws (1975), with string glissandos on a bass C note. Banner's theme is tragic and includes parts of Joe Harnell's "The Lonely Man" theme from the television series.
The soundtrack received mixed reviews from critics in the music community. Christopher Coleman of TrackSounds gave it a 5 out of 10, citing the opening theme, "Homecoming: Suite", and "The Lonely Man" as unforgettable, while also stating that many of the other tracks are typical seventies fare that could easily fit into any other popular series of that time. [2]
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The song's main riff was created by the band's guitarist, Slash. The song then goes through two rotations of verse-chorus, then a bridge and a fairly complicated guitar solo by Slash. The song then finishes with another chorus and guitar solo.