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Mabey, Richard, The Oxford Book of Nature Writing. Oxford: Oxford University Press, 1995. This piece also goes over the magnitude of this genre and presents essays from varying nature authors. Stewart, Frank, A Natural History of Nature Writing. Washington, D.C.: Island Press, 1994. This books concentrates on the origins of American nature writing.
A feature story is a piece of non-fiction writing about news covering a single topic in detail. A feature story is a type of soft news, [1] news primarily focused on entertainment rather than a higher level of professionalism. The main subtypes are the news feature and the human-interest story.
Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various traditions of poetry and poetics.
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage). [3]
The comparison highlights the similarities between two or more similar objects while contrasting highlights the differences between two or more objects. When writing a compare/contrast essay, writers need to determine their purpose, consider their audience, consider the basis and points of comparison, consider their thesis statement, arrange ...
Nature writing is the genre with the longest history in environmental communication. In his book, This Incomparable Land: A Guide to American Nature Writing, Thomas J. Lyon attempts to use a "taxonomy of nature writing" in order to define the genre. He suggests that his classifications, too, suffer a great deal of overlap and intergrading.
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For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine Creative Nonfiction, writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction."
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