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Bottom Line (1979) No More Interviews (1980) Bottom Line is an album by the English musician John Mayall, released in 1979. [1] It was produced by Bob Johnston. [2]
"The Bottom Line" is a song by English alternative dance band Big Audio Dynamite, released as both a 7" and 12" single from their debut studio album, This Is Big Audio Dynamite (1985). It was written, and produced by Mick Jones , his debut single with a band singing lead vocals since being fired from the Clash in 1983.
"E=MC 2" is a 1986 single by the English band Big Audio Dynamite, released as the second single from their debut studio album, This Is Big Audio Dynamite (1985). The song was the band's first Top 40 hit on the UK Singles Chart , peaking at number 11.
Live at the Bottom Line is a live album by American vocalist and songwriter Patti Austin recorded in 1978 and released on the CTI label. [1] Reception
"Number 2" is a song by British YouTuber and rapper KSI featuring American rapper Future and Atlanta-based rapper 21 Savage from the former's second studio album, All Over the Place (2021). The song was written by the three rappers alongside Rico Love , Ivory Scott, S-X , Aaron Ferrucci, Martell Smith Williams, & producers Diego Ave, Bankroll ...
The song was noted as a standout track from the Fear Inoculum album. [12] [7] Revolver described Danny Carey's drumming on the track as "jaw-dropping" and "almost supernatural". [12] Metal Injection praised Carey's performance as "absolutely slaying". [13] Loudwire noted the song had become a favorite among the band's fanbase as well. [14]
Singles Collection Volume 2 is a b-side and rarities compilation album released by Boston punk rock band Dropkick Murphys, on March 8, 2005. The album, which peaked at No. 26 and spent three weeks on the chart, [ 1 ] contains songs released on singles, compilations and splits.
"Zip-Lock" is a song by the American pop punk band Lit, released as the follow-up single to their number one rock hit "My Own Worst Enemy" from their second album, A Place in the Sun in 1999. While not as successful as its previous single, it was able to reach number 11 on the Modern Rock Tracks and number 34 on the Mainstream Rock Tracks.