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Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have Christian themes in much of their poetry, including G. K. Chesterton, J.R.R. Tolkien, C.S. Lewis, T. S. Eliot, and Elizabeth Jennings.
Philosophy, plays, lyrical poetry, biography, narrative writings, novels included, most of the theological and hagiographical works are not included. Bible (c. 1400 BC –AD 100) – numerous authors; The Book of Job in the Bible (c. 1500 –1000 BC) – unknown author; Psalms in the Bible, hymns, poems (c. 1000 BC) – David
A distinction is made between ‘North African’ and ‘European’ translations on the basis of differences which appear in the authors from the respective locales. [1] Until the end of the 3rd century, the main genre was apologetics (justifications of Christianity), by writers such as Minucius Felix, Tertullian, Arnobius, and Lactantius.
The Bible is an anthology (a compilation of texts of a variety of forms) originally written in Hebrew, Aramaic, and Koine Greek. The texts include instructions, stories, poetry, prophecies, and other genres. The collection of materials accepted as part of the Bible by a particular religious tradition or community is called a biblical canon.
This list of Protestant authors presents a group of authors who have expressed membership in a Protestant denominational church or adherence to spiritual beliefs which are in alignment with Protestantism as a religion, culture, or identity. The list does not include authors who, while considered or thought to be Protestant in faith, have rarely ...
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[106] [107] This can be observed across contemporary published poetry in the West as an intensification within individual poets' oeuvres of "all kinds of style, subject, voice, register and form" [108] which replaces, in large measure, the more conventional or traditional search by authors for a singular definitive poetic voice.