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The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius , the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed ...
Leonardo di ser Piero da Vinci [b] (15 April 1452 – 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. [3]
It is an attempt to rewrite Da Vinci's biography, in multiple dimensions, beyond the aura of myth and mystery, of legend and rhetoric, on the basis of autograph manuscripts and original documents. The book also presents a way to reconsider the interpretation of Da Vinci's work, his interdisciplinary complexity, his "universality" and "modernity ...
Leonardo da Vinci, the archetype of the Renaissance man. This is a list of notable people associated with the Renaissance. ... Leonardo da Vinci;
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The term "Renaissance man" was first recorded in written English in the early 20th century. [10] It is used to refer to great thinkers living before, during, or after the Renaissance. Leonardo da Vinci has often been described as the archetype of the Renaissance man, a man of "unquenchable curiosity" and "feverishly inventive imagination". [11]
1482 letter from Leonardo da Vinci to Ludovico Sforza; a résumé outlining his abilities in science, engineering and art. The Italian polymath Leonardo da Vinci (1452–1519) left thousands of pages of writings and drawings but rarely made any references to his personal life. [ 1 ]
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...