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Shure SM7B microphone used in an interview with Marius Bear The Shure SM7 is a professional cardioid dynamic microphone , commonly used in broadcasting applications since 1973. Designed by Shure , it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television ...
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...
Usually jib arms are attached to a vertical mast or tower or sometimes to an inclined boom. In other jib-less designs such as derricks, the load is hung directly from a boom which is often anomalously called a jib. A camera jib or jib arm in cinematography is a small crane that holds nothing but the camera. [4]
The RE20 is held in the 309A shock mount. The broadcasting field used a variety of microphones including the German Sennheiser MD 421 (1960) and the American SM5 (1966) by Shure. [9] When the RE20 was released in 1968, it was adopted by radio and television announcers for its natural sound and consistent level throughout the pickup pattern.
Most such cranes were manually operated, requiring an experienced boom operator who knew how to vertically raise, [3] lower, and "crab" the camera alongside actors while the crane platform rolled on separate tracks. The crane operator and camera operator had to precisely coordinate their moves so that focus, pan, and camera position all started ...
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The boom operator is part of the sound crew, and an assistant to the sound engineer or production sound mixer. The boom operator's main responsibility is microphone placement, sometimes using a "fishpole" with a microphone attached to the end—and sometimes using a "boom" (most often a "fisher boom"). The fisher boom is a piece of equipment ...
A boom operator onboard a JL Fisher camera dolly with boom pole fully extended A "dead wombat" or "dead cat" (left) and "dead kitten" (right) wind-attenuating microphone covers Often in television studios, the boom operator will use a Fisher boom, which is a more intricate and specialized piece of equipment on which the operator stands ...
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