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Hamlet and His Problems" is an essay written by T. S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1]
In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play. It has been analyzed as a historical document for clues about the nature of early modern acting practices and it has also been used as a contemporary ...
The story of the prince who plots revenge on his uncle (the current king) for killing his father (the former king) is an old one. Many of the story elements—the prince feigning madness and his testing by a young woman, the prince talking to his mother and her hasty marriage to the usurper, the prince killing a hidden spy and substituting the execution of two retainers for his own—are found ...
The play opens with Hamlet deeply depressed over the recent death of his father, King Hamlet, and his uncle Claudius' ascension to the throne and hasty marriage to Hamlet's mother Gertrude. One night, his father's ghost appears to him and tells him that Claudius murdered him in order to usurp the throne, and commands his son to avenge his death.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
In Act II, Hamlet refers to Polonius as a "tedious old fool" [3] and taunts him as a latter day "Jephtha". [4] Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet.
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