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The University of Wales Press (Welsh: Gwasg Prifysgol Cymru) was founded in 1922 as a central service of the University of Wales. [2] The press publishes academic journals and around seventy books a year in the English and Welsh languages on six general subjects: history, political philosophy and religious studies, Welsh and Celtic studies, literary studies, European studies and medieval studies.
Cardiff: University of Wales Press. Peniarth 28: darluniau o Lyfr Cyfraith Hywel Dda / Illustrations from a Welsh lawbook, Aberystwyth: National Library of Wales, 1988. Llyfr Aneirin: a facsimile, Aberystwyth: National Library of Wales, 1989. "Llyffr Gwyn Rhydderch". Cambridge Medieval Celtic Studies. 21: 1–37. 1991.
Much of the contents of the current Special Collections were originally housed in the old university library, now known as the Founder's Library, in the St. David's Building. This was built between 1822 and 1827, for the then enormous sum of £21,000; from 1837, the library was extended to house the collections donated by Burgess and Phillips.
It is an English-language academic journal containing articles, reviews, and news relating to the history of Christianity in Wales. It was originally established in 1984 under the title Journal of Welsh Ecclesiastical History. Since it obtained its current title in 1992, two series were published: First series, Vols. 1 (1993) to 8 (2000); new ...
Papers of W. J. Gruffydd, [1903]–[1952], including drafts of articles relating to the Mabinogi; lecture notes for his Welsh courses at University College of Wales, Cardiff; other lecture notes and articles; BBC broadcast talks; personalia; and a substantial group of correspondence from notable literary figures are deposited in the National ...
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John Llewelyn (1 February 1928 – 7 May 2021) was a Welsh-born British philosopher whose extensive body of work, published over a period of more than forty years, spans the divide between Analytical and Continental schools of contemporary thought. [1]
Another important landmark was the publication in 2002 of John Fordham's James Hanley: Modernism and the Working Class by the University of Wales Press, which amongst other things suggests that Hanley is not simply a realist or naturalist, but because of his use of expressionistic techniques, should be seen as a modernist. [64]