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  2. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    Lindos Electronics expanded the concept, retaining the FSK concept, and inventing segmented sequence testing, which separated each test into a 'segment' starting with an identifying character transmitted as 110-baud FSK so that these could be regarded as 'building blocks' for a complete test suited to a particular situation. Regardless of the ...

  3. Audiogram - Wikipedia

    en.wikipedia.org/wiki/Audiogram

    Audiogram. An audiogram is a graph that shows the audible threshold for standardized frequencies as measured by an audiometer.The Y axis represents intensity measured in decibels (dB) and the X axis represents frequency measured in hertz (Hz). [1]

  4. Pure-tone audiometry - Wikipedia

    en.wikipedia.org/wiki/Pure-tone_audiometry

    This prevents the non-test ear from detecting the test signal presented to the test ear. The threshold of the test ear is measured at the same time as presenting the masking noise to the non-test ear. Thus, thresholds obtained when masking has been applied, provide an accurate representation of the true hearing threshold level of the test ear. [13]

  5. Audiometry - Wikipedia

    en.wikipedia.org/wiki/Audiometry

    Weber test; Bing test; Rinne test; Schwabach test, a variant of the Rinne test; Pure tone audiometry is a standardized hearing test in which air conduction hearing thresholds in decibels (db) for a set of fixed frequencies between 250 Hz and 8,000 Hz are plotted on an audiogram for each ear independently. A separate set of measurements is made ...

  6. Equal-loudness contour - Wikipedia

    en.wikipedia.org/wiki/Equal-loudness_contour

    The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.

  7. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]

  8. Sound quality - Wikipedia

    en.wikipedia.org/wiki/Sound_quality

    For example, CD audio uses 16 bits per sample, and therefore it will have quantization noise approximately 96 dB below the maximum possible sound pressure level (when summed over the full bandwidth) The amount of space required to store PCM depends on the number of bits per sample, the number of samples per second, and the number of channels.

  9. Audio signal processing - Wikipedia

    en.wikipedia.org/wiki/Audio_signal_processing

    The energy contained in audio signals or sound power level is typically measured in decibels. As audio signals may be represented in either digital or analog format, processing may occur in either domain. Analog processors operate directly on the electrical signal, while digital processors operate mathematically on its digital representation.