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He served as President of the Stained Glass Association of America, 1929–1930. [18] He was a member of the Philadelphia Board of Education (1934–1948), and organized art exhibitions that toured the city's public schools. [19] The University of Pennsylvania hosted a 1938 exhibition of D'Ascenzo's paintings, drawings and stained glass. [20]
Stained Glass Museum Ely, Cambridgeshire c. 1920: Also in the Stained Glass Museum is an oval glass panel entitled "Hammer and Tongs". Two medieval characters are shown attacking each other. One pulls his opponent’s hair with a pair of tongs whilst the other hits his knee-cap with a hammer. Parsons used it to illustrate the poem he had written-
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
He was one of 25 makers of stained glass listed. Great Exhibition, 1851. Stained glass on left, lining eastern walls in Central North Gallery. Stained Glass was exhibited lining the eastern walls [10] of the Central North gallery of the Crystal Palace. Around 1845 there was a revival of interest in all types of worked glass, reflected in the ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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