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Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006.
Samuel Sanders (June 27, 1937 – July 9, 1999) was an American classical collaborative pianist and pedagogue. He was born with a congenital heart condition that required him to undergo surgery at the age of nine. [1] His first piano teacher was Hedwig Kanner-Rosenthal. [2]
Flanagan's reputation gradually grew after he moved on from being primarily an accompanist: in a 1992 article, critic Leonard Feather suggested that "Flanagan is the pianist most likely to be named a personal idol by other jazz pianists, whether they be swing veterans or avant-gardists". [29]
Lambert Orkis (born 1946, Philadelphia) is an American classical pianist. [1] His career has been based on many differing roles: ranging from being the collaborative pianist for Anne-Sophie Mutter for works of piano and violin chamber music since 1988 (mainly containing sonatas for violin and piano by Beethoven, Mozart, Brahms, and Schubert).
Tibor Kozma (1909 - 24 March 1976) was an American conductor, pianist, accompanist, and vocal coach of Hungarian birth. He began his career as an opera conductor in Europe and Ecuador before emigrating to the United States in 1941; ultimately becoming a United States citizen in 1945. [1]
Bobby Tucker (born Robert Nathaniel Tucker; January 8, 1923 – April 12, 2007) [1] was a pianist and arranger during the jazz era from the 1940s into the 1960s. He is most famous for being Billie Holiday's accompanist from 1946 to 1949 and Billy Eckstine's from 1950 to 1993. [2] [3]
Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. [4]