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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is obtained from the dried sap of Toxicodendron ...
Toxicodendron vernicifluum (formerly Rhus verniciflua [1]), also known by the common name Chinese lacquer tree, [1] [2] [3] is an Asian tree species of genus Toxicodendron native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. [4]
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Lacquer dish with Chinese character for longevity, mid 16th century Maki-e sake bottle with Tokugawa clan's mon, Japan, Edo period Lacquer plate, Nam Định province, Vietnam, Nguyễn dynasty Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
In the Kamakura period (1185 –1333), carved lacquer from the Song dynasty of China was imported to Japan by Chin Na-kei (or Chin Wa-kei). However, many Japanese lacquer craftsmen did not adopt the Chinese method of depositing lacquer and then carving it; instead, they created Kamakura-bori, a method of carving wood and then coating lacquer. [1]
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