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"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. [1] The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death.
"An Irish Airman Foresees his Death" "Men improve with the Years" "The Collar-Bone of a Hare" "Under the Round Tower" "Solomon to Sheba" "The Living Beauty" "A Song" "To a Young Beauty" "To a Young Girl" "The Scholars" "Tom O'Roughley" "The Sad Shepherd" "Lines written in Dejection" "The Dawn" "On Woman" "The Fisherman" "The Hawk" "Memory" "Her ...
"September 1913" is a poem by W. B. Yeats, written in 1913.It was composed in response to the Hugh Lane controversy, where William Martin Murphy and others opposed building an art gallery in Dublin for housing the Lane Bequest paintings.
1919 – The Wild Swans at Coole, significant revision of the 1917 edition: has the poems from the 1917 edition and others, including "An Irish Airman Foresees His Death" and "The Phases of the Moon"; contains: "The Wild Swans at Coole", "Ego Dominus Tuus", "The Scholars" and "On being asked for a War Poem" [2]
The Tower is a book of poems by W. B. Yeats, published in 1928. The Tower was Yeats's first major collection as Nobel Laureate after receiving the Nobel Prize in 1923. It is considered to be one of the poet's most influential volumes and was well received by the public.
The Oxford Book of Modern Verse 1892–1935 is a poetry anthology edited by W. B. Yeats and published in 1936 by Oxford University Press.A long introductory essay starts from the proposition that the poets included should be all the "good" ones (implicitly the field is Anglo-Irish poetry, though notably a few Indian poets are there) active since the death of Tennyson.
The U.S. Air Force member who set himself on fire outside the Israeli Embassy in Washington, D.C., in an apparent protest against the Israel-Hamas war has died, according to a U.S. official.
The initial social and ideological distance between Yeats and some of the revolutionary figures is portrayed in the poem when, in the first stanza, the poem's narrator admits to having exchanged only "polite meaningless words" (6) with the revolutionaries prior to the uprising, and had even indulged in "a mocking tale or gibe" (10) about their political ambitions.