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First verse of Veni Creator Spiritus, on which many later hymns are based. Hymns for Pentecost are hymns dedicated to the Christian feast of Pentecost, or Whitsun. Along with Christmas and Easter, it is a high holiday, dedicated to the Holy Spirit, or Holy Ghost. Hymns have been written from the 9th century to contemporary.
For centuries the chorale has been the prominent hymn (Hauptlied) for Pentecost in German-speaking Lutheranism, the number in the current hymnal Evangelisches Gesangbuch (EG) is 125. [ 3 ] [ 6 ] The hymn was translated to Swedish first in 1567, "Kom Helge Ande Herre Gudh", [ 7 ] and has appeared in a 1983 version by Britt G. Hallqvist in Den ...
When the original Latin text is used, it is normally sung to a Gregorian Chant tune first known from Kempten Abbey around the year 1000. The hymn has been translated and paraphrased into several languages, and adapted into many musical forms, often as a hymn for Pentecost or for other occasions that focus on the Holy Spirit .
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The dove: iconographic symbol of the Holy Spirit. Veni Sancte Spiritus (“Come, Holy Spirit”), sometimes called the “Golden Sequence” (Latin: Sequentia Aurea) is a sequence sung in honour of God the Holy Spirit, prescribed in the Roman Rite for the Masses of Pentecost Sunday. [1]
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" Der Geist des Herrn erfüllt das All" (The Spirit of the Lord fills the universe) is a Christian hymn for Pentecost by Maria Luise Thurmair, written in 1941. First printed in 1946, it appeared with a 1609 melody by Melchior Vulpius in the German Catholic hymnal Gotteslob in 1975 as GL 249. It has been included in ecumenical hymnals and songbooks.
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...