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Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
Los Caprichos is a series of 80 etchings published in 1799 wherein Goya criticized the rampant political, social, and religious abuses of the time period. In this series of etchings, Goya heavily utilized the popular technique of caricature, which he enriched with artistic innovation.
Private collection 31.1 x 40.6 The Sacrifice to Vesta (in Polish) 1771 Collection of Felix Palacios Remondo, Zaragoza 32.5 x 24 The Sacrifice to Pan (in French) 1771 Private collection 32.5 x 24 Venus and Adonis (in Spanish) 1771 Zaragoza Museum: 23 x 12 Ecstasy of Saint Anthony the Great (in Polish) 1771 Private collection 47.2 x 38.8
This is worse (Spanish: Esto es peor [1]) is an etching and wash drawing by the Spanish artist Francisco Goya (1746–1828). Completed between 1812 and 1815, though not published until 1863, it forms part of his The Disasters of War series, [2] which Goya created as a visual protest against the violence of the 1808 Dos de Mayo Uprising and subsequent Peninsular War of 1808–1814.
All these were left in Madrid—apparently incomplete and with only a handful of proofs printed—when Goya went to France in 1823. One plate is known to have been etched in 1816, but little else is established about the chronology of the works or Goya's plans for the set. [72]
The etchings were made over a tumultuous quarter-century between 1799 and 1823, when Goya was a mature artist, and the vast Spanish empire was coming apart at the seams. He started them in his ...
The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions.The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War.
In 1958, the Spanish La maja desnuda stamps were reproduced in the US on one stamp of the 10-stamp set with the most famous paintings of Goya issued for the Day of the Stamp. Another issue, an imperforated block of four stamps with four facsimiles of the 1930 4 pesetas Spanish stamp, albeit in different colors, was issued in the US in 1996. [ 8 ]
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