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The Fatimids used a green standard, as well as white. The Saudi Emirate of Diriyah used a white and green flag with the shahadah emblazoned on it. Various countries in the Persian Gulf have red flags, as red represents nationalism. The four Pan-Arab colours, white, black, green and red, dominate the flags of Arab states. [2] [3]
Islamic tradition states that the Quraysh had a black liwāʾ and a white-and-black rāya. [4] It further states that Muhammad had an ʿalam in white nicknamed "the Young Eagle" (العقاب, al-ʿuqāb); and a rāya in black, said to be made from his wife Aisha's head-cloth. [5] This larger flag was known as the Eagle. [6]
Although not affiliated with the hurufiyya movement, the contemporary artist Shirin Neshat integrates Arabic text into her black-and-white photography, creating contrast and duality. In Iraq, the movement was known as Al Bu'd al Wahad (or the One Dimension Group )", [ 42 ] and in Iran, it was known as the Saqqa-Khaneh movement .
The four colors also derived their potency from a verse by 14th century Arab poet Safi al-Din al-Hilli: "White are our acts, black our battles, green our fields, and red our swords." [ 10 ] Pan-Arab colors, used individually in the past, were first combined in 1916 in the flag of the Arab Revolt or Flag of Hejaz. [ 11 ]
the center emblem is a stylized form of the Arabic word Allah and its five parts represent the Five Pillars of Islam; the red and green bands bear the Takbir [8] Flag of Iraq the white band bears the Takbir [ 9 ]
Visual images of Muhammad in the non-Islamic West have always been infrequent. In the Middle Ages they were mostly hostile, and most often appear in illustrations of Dante 's poetry. In the Renaissance and Early Modern period, Muhammad was sometimes depicted, typically in a more neutral or heroic light; the depictions began to encounter ...
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Today, the concept of an aniconic Islam coexists with a daily life for Muslims awash with images. TV stations and newspapers (which do present still and moving representations of living beings) have an exceptional impact on public opinion, sometimes, as in the case of Al Jazeera , with a global reach, beyond the Arabic speaking and Muslim audience.