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The painting is now in the Österreichische Galerie Belvedere museum in the Belvedere palace, Vienna, and is widely considered a masterpiece of the early modern period. It is a symbol of Vienna Jugendstil—Viennese Art Nouveau—and is considered Klimt's most popular work. [10] 19: 1907–1908 – Danaë (oil on canvas, 77 cm x 83 cm)
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [1] and his works are marked by a frank eroticism. [2]
The Vienna Secession (German: Wiener Secession; also known as the Union of Austrian Artists or Vereinigung Bildender Künstler Österreichs) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. [1]
Death and Life (German: Tod und Leben, Italian: Morte e Vita) is an oil-on-canvas painting by Austrian painter Gustav Klimt. The painting was started in 1908 and completed in 1915. [1] It depicts an allegorical subject in an Art Nouveau (Modern) style. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum in ...
The painting shows Schubert seated at a piano surrounded by onlookers, bathed in candlelight. Klimt painted it in 1899 in the style of Art Nouveau, which focused on the use of organic shapes and flowing lines. [2] The painting may have been commissioned in 1898 by Greek industrialist Nikolaus Dumba. [3]
In 1901 Klimt painted Judith and the Head of Holofernes; the art historian Gottfried Fliedl observes that the painting is "widely known and interpreted as Salome". [31] Adele was the model for the work [ 32 ] and wore a heavily jewelled deep choker given to her by Ferdinand, in what Whitford describes as "Klimt's most erotic painting". [ 27 ]
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