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The sanxian (Chinese: 三弦, literally "three strings") is a three-stringed traditional Chinese lute.It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator.
The qinqin (秦 琴; pinyin: qínqín; Vietnamese: Đàn sến [1]) is a plucked Chinese lute. It was originally manufactured with a wooden body, a slender fretted neck, and three strings. [2] Its body can be round, [3] hexagonal (with rounded sides), or octagonal. Often, only two strings were used, as in certain regional silk-and-bamboo ...
The strings are usually tuned to A 2 D 3 E 3 A 3, although there are various other ways of tuning. Since the revolutions in Chinese instrument-making during the 20th century, the softer twisted silk strings of earlier times have been exchanged for nylon-wound steel strings, which are far too strong for human fingernails, so false nails are now ...
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
In Taiwan, the yueqin has a longer neck, and two or three strings. [3] [4] The strings on the traditional form of the instrument were made of silk, though nylon is generally used today. The anchor on a modern yueqin may have up to five holes, so it can be strung and tuned as a three or four-stringed instrument. The nut, at the peghead end of ...
Rawap (热瓦普 or 热瓦甫) – a fretless plucked long-necked lute used in Uyghur traditional music of Xinjiang; Tianqin - a 3 strings plucked lute of Zhuang people in Guangxi. Qiben - a four strings plucked lute of Lisu people; Wanqin (弯琴: shaped like a dragon boat. Its shape is very similar to Myanmar's saung-gauk.
The liuqin (Chinese: 柳琴, pinyin: liǔqín) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces.
The traditional names for the strings are (from thick to thin) uujiru (男絃, "male string"), nakajiru (中絃, "middle string"), and miijiru (女絃, "female string"). The sanshin has five tunings called chindami (ちんだみ): [2] Hon chōshi (本調子) – "standard tuning" (i.e. C 3, F 3, C 4 expressed in terms of International Pitch ...