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Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G. In Roman numeral analysis, G 7 would be represented as V 7 ...
Seventh chord. A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added to a variety of triads, resulting in ...
Diminished seventh chord (leading-tone and secondary chord) Play ⓘ 4-28: 0 3 6 9: Diminished Dominant: Play ⓘ 3-11: 0 4 7: Major Dominant eleventh chord:
The dominant is, in its normal form, a major triad and commonly a dominant seventh chord. With the addition of chord alterations, substitutions, and extensions, limitless variations exist on this simple formula. The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and ...
Dominant (music) In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the dominant because it is second in importance to the first scale degree, the tonic. [1][2] In the movable do solfège system, the dominant note is sung as "So (l)". Chords with a dominant function: dominant chords (seventh, ninth, and ...
During the dominant chord, a seventh above the dominant may be added to create a dominant seventh chord (V 7); the dominant chord may also be preceded by a cadential 6 4 chord . The Harvard Concise Dictionary of Music and Musicians says, "This cadence is a microcosm of the tonal system, and is the most direct means of establishing a pitch as tonic.
Complement. 5-34. In jazz, the altered scale, altered dominant scale, or Super Locrian scale (Locrian ♭4 scale) is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third ...
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...