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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893.The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives.
Still Life with Apples and Oranges (French: Nature morte aux pommes et aux oranges) is a still-life oil painting dating from c. 1899 by the French artist Paul Cézanne.It is currently housed at the Musée d'Orsay in Paris.
Pyramid of Skulls is a c. 1901 oil on canvas painting by French Post-Impressionist artist Paul Cézanne. It depicts four human skulls stacked in a pyramidal formation, a subject matter that increasingly preoccupied Cézanne in later life.
Three Bathers (French: Trois Baigneuses) is an 1879-1882 oil-on-canvas painting by Paul Cézanne, which is housed in the Petit Palais in Paris. It shows three bathing female nudes framed in an arch formed by two trees.
Portrait of Madame Cezanne: c. 1883 20.2 x 14 cm Private collection V 533 R 533 FWN 467 Portrait of the Artist Looking Over His Shoulder: 1883–1884 25 × 25 cm Goulandris Museum of Contemporary Art, Athens V 517 R 535 FWN 471 L'Estaque with Red Roofs: 1883–1885 65 × 81 cm Private collection V 399 R 517 FWN 191 Landscape at L'Estaque: 1883 ...
Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.