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Marta is a young Nymphomaniac housewife, married to a man named Dario, who works for a successful book publisher and is wealthy. Despite loving her husband, Marta finds their sex life dull and predictable, having resorted to frequent masturbation to satisfy herself.
This page was last edited on 21 September 2024, at 07:26 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
He was married to Carla Cipriani (b. 1930, nicknamed "Tinta"), from 1957 until her death in 2006. Carla was the daughter of Harry's Bar founder Giuseppe Cipriani, who managed the restaurant Locanda Cipriani on the Venetian island of Torcello and also collaborated as a screenwriter in Brass's films. The couple had a daughter, Beatrice, and a son ...
Lola (Anna Ammirati) is the teenage daughter of widow Zaira (Serena Grandi) living in a small Po Valley town (filming location is the comune of Pomponesco and Dosolo) [1] in the 1950s. She is engaged to young Masetto ( Max Parodi credited as Mario Parodi), who firmly believes in girls' virginity before marriage.
Hiroshima mon amour (French pronunciation: [iʁoʃima mɔ̃n‿amuʁ], lit. Hiroshima, My Love, Japanese: 二十四時間の情事, romanized: Nijūyojikan no jōji, lit. 'Twenty-four hour love affair') is a 1959 romantic drama film directed by French director Alain Resnais and written by French author Marguerite Duras.
Miranda (Serena Grandi) is an innkeeper living in a small Po Valley town of the late 1940s.She is left a widow after her husband is lost in World War II but she has been denying marriage, waiting (at least verbally) for her husband's return.
This page was last edited on 11 November 2024, at 10:45 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In a retrospective review, Sight & Sound reviewed both The Key (1983) and All Ladies Do It, noting that the latter "shows a marked decline in narrative sophistication and wit" noting that the Venice setting in this film is set more in studio-based constructs than The Key. [2]