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Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Edward Hopper, New York Interior, c. 1921, Whitney Museum of American Art. Edward Hopper (1882–1967) was a prominent American realist painter and printmaker. Hopper is the most modern of the American realists and the most contemporary.
(Despite his inclusion in the group by some critics, Hopper rejected their focus and never embraced the label; his depictions of city streets were painted in a different spirit, "with not a single incidental ashcan in sight.") [12] Photographers like Jacob Riis and Lewis Hine were also discussed as Ashcan artists. Like many art-historical terms ...
Excursion into Philosophy: Oil on canvas: 1959: Private collection: Second Story Sunlight: Oil on canvas: 1960: Whitney Museum of American Art: 102.1 cm × 127.3 cm (40 3/16 in. × 50 1/8 in.) People in the Sun: Oil on canvas: 1960: Smithsonian American Art Museum Washington, D.C. 102.6 cm × 153.4 cm (40 3/8 in. × 60 3/8 in.) A Woman in the Sun
US president Barack Obama in the Oval Office (2014) with two of Hopper's 1930s South Truro works, Cobb's Barns (upper) and Burly Cobb's House. Since 1930, Hopper and Jo had spent every summer in South Truro, Massachusetts, on Cape Cod, where Hopper began focusing on the Cape's unique sunlight and, in 1930 alone, painted such works as South Truro Church, Corn Hill, Hills, and South Truro. [1]
Sun in an Empty Room is a 1963 painting by American realist Edward Hopper (1882–1967). Created during his late period at his Cape Cod summer home and studio in South Truro, Massachusetts, the painting was completed just four years prior to his death at the age of 84.
At the Whitney Museum of American Art, Levin was the curator of several landmark touring exhibitions, including Edward Hopper: Prints and Illustrations (1979) and Edward Hopper: The Art and The Artist (1980); Synchromism and American Color Abstraction, 1910-1925 (1978); and co-curator with Robert Hobbs of Abstract Expressionism: The Formative ...
Scholar Karal Ann Marling notes that Edward Hopper's work "is a prelude to the wakeful coffee urns and to those who tend them to defeat the night". [9] According to the American art critic Blake Gopnik, "The painting’s bone-deep conservatism, and its obvious, almost polemical resistance to the most ambitious European art of its day.
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