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Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés Gnattali; Sonata for Tenor Saxophone and Piano (1967)—James Di Pasquale; Sonatina for Tenor Saxophone and Piano (1969/95)—Bertold Hummel; Sonata for Tenor Saxophone and Piano (1974 ...
Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Christlieb played the sax solo on Steely Dan's hit song "Deacon Blues" by Walter Becker and Donald Fagen from the album Aja, nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals in the 20th annual Grammies. "I went over to the studio one night after the Tonight Show finished taping at 6:30 p.m.
Michael Leonard Brecker (March 29, 1949 – January 13, 2007) was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as a performer and composer, received an honorary doctorate from Berklee College of Music in 2004, [3] and was inducted into the DownBeat Jazz Hall of Fame in 2007.
The first Ellington recording (4 May 1940) [2] [3] is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross.
Ray Charles – alto sax and piano; Milt Jackson – vibraharp (and piano during Ray Charles’ alto sax chorus and Pettiford’s first chorus on bass) Billy Mitchell – tenor sax; Skeeter Best – guitar; Oscar Pettiford – bass; Connie Kay – drums; Recorded on September 12, 1957; Recording engineer: Tom Dowd; Produced by Nesuhi Ertegun ...
This nine-piece group was known for its legendary soloists including, Joe Keyes and Oran 'Hot Lips' Page on trumpet, Buster Smith and Earle Warren on alto saxophone, Lester Young on tenor saxophone, Dan Minor on trombone, and a rhythm section made up of Jo Jones on drums, Walter Page on bass and Basie on piano.
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...
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