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The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
The film depicts the final two decades of the life of Russian composer Nikolai Rimsky-Korsakov. Exploring his creative and pedagogical philosophy, the narrative highlights key moments such as his lectures at the school of composers he founded, intense debates about the "anti-popular" nature of Ramensky's music (a character based on Igor Stravinsky), struggles against the tyranny of Imperial ...
Rimsky-Korsakov's music was orchestrated by Miklós Rózsa and (uncredited) Eugene Zador. Themes by Rimsky-Korsakov that are used include: "Song of India" from Sadko (sung by Charles Kullman); Flight of the Bumblebee from The Tale of Tsar Saltan; "Hymn to the Sun" from The Golden Cockerel; Capriccio Espagnol, and Scheherazade. [14]
Pages in category "Operas by Nikolai Rimsky-Korsakov" The following 16 pages are in this category, out of 16 total. ... The Golden Cockerel; K. Kashchey the Deathless; L.
Golden Cockerel may refer to: Golden Cockerel Press, an English fine press operating between 1920 and 1961; The Golden Cockerel, an opera by Nikolai Rimsky-Korsakov; The Goldener Hahn, a ceremonial goblet in Münster, Germany
Initially, Rimsky-Korsakov intended to name the respective movements in Scheherazade "Prelude, Ballade, Adagio and Finale". [6] However, after weighing the opinions of Anatoly Lyadov and others, as well as his own aversion to a too-definitive program, he settled upon thematic headings, based upon the tales from The Arabian Nights .
Fairy tales and legends: The Snow Maiden, Mlada, Sadko, Kashchey the Deathless, The Tale of Tsar Saltan, The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, and The Golden Cockerel. Of this range, Rimsky-Korsakov wrote in 1902, "In every new work of mine I am trying to do something that is new for me.
Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces; Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
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