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"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story ") is a short story by American writer Charlotte Perkins Gilman , first published in January 1892 in The New England Magazine . [ 1 ]
Director Logan Thomas depends on his audience’s prior engagement with Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” in his 2012 film of the same name. While the film is a clear departure from Gilman’s text, acting as the origin story of the author’s experience in writing the story, Thomas’ reliance on the viewers ...
The Captive Imagination: A Casebook on "The Yellow Wallpaper" is an anthology of essays about Charlotte Perkins Gilman's 1892 short story The Yellow Wallpaper.Edited by Catherine Golden, it was published in 1992 by The Feminist Press. [1]
Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism, University of Massachusetts Press, ISBN 0-87023-627-X; Berman, Jeffrey. "The Unrestful Cure: Charlotte Perkins Gilman and 'The Yellow Wallpaper.'" In The Captive Imagination: A Casebook on The Yellow Wallpaper, edited by Catherine Golden. New York: Feminist Press ...
The Forerunner was a monthly magazine produced by Charlotte Perkins Gilman (best known as the writer of "The Yellow Wallpaper"), from 1909 through 1916. During that time, she wrote all of every issue—editorials, critical articles, book reviews, essays, poems, stories, and six serialized novels.
Only a couple months into his role as editor, on August 28, 1890, Scudder received from William Dean Howells a submission written by Charlotte Perkins Gilman. He quickly rejected the story, later published as "The Yellow Wallpaper", telling Gilman, "I could not forgive myself if I made others as miserable as I have made myself!"
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Charlotte Perkins Gilman's Gothic short story The Yellow Wallpaper utilises the double motif to explore the impact of patriarchal authority on the freedom of women. The Yellow Wallpaper is an example of the Female Gothic sub-genre [ 29 ] through its use of the double motif to expose the fragmented and divided identities that women experience as ...
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