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Art-based research is a mode of formal qualitative inquiry that uses artistic processes in order to understand and articulate the subjectivity of human experience. [1][2][3] The term was first coined by Elliot Eisner (1933 - 2014) who was a professor of Art and Education at the Stanford Graduate School of Education and one of the United States ...
Impressionism (literature) Literary Impressionism is influenced by the European Impressionist art movement; as such, many writers adopted a style that relied on associations. The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist ...
It mainly focuses on the physical aspects of the artwork, such as medium, color, value, space, etc., rather than on what it communicates. [1] Content, on the other hand, refers to a work's subject matter, i.e., its meaning. [2][3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence ...
Linguistics. Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and/or spoken language in regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals and/or in different situations or settings. For ...
Formalism (art) In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content ...
illth. Signature. John Ruskin (8 February 1819 – 20 January 1900) was an English polymath – a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, political economy, education, museology, geology, botany, ornithology, literature, history, and myth.
Rays of light travel from the object, through the picture plane, and to the viewer's eye. This is the basis for graphical perspective. Perspective works by representing the light that passes from a scene through an imaginary rectangle (the picture plane), to the viewer's eye, as if a viewer were looking through a window and painting what is seen directly onto the windowpane.
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" [1] or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". [2] Style refers to the visual appearance of a work of art that relates to other ...