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The Tench, A History of British Fishes (1835), by William Yarrell. The terms "woodcut" and "wood engraving" were used interchangeably in the early and middle part of the 19th century, until the modern distinction emerged towards the end of the century, with confusion often extending into the 20th century among non-specialists.
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges —leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to ...
Overview. [edit] Printmaking techniques are generally divided into the following basic categories: Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink. Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut.
Woodblock printing. The intricate frontispiece of the Diamond Sutra from Tang dynasty China, the world's earliest printed text containing a date of production, AD 868 (British Library) Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity ...
The block is cut along the grain of the wood (unlike wood engraving where the block is cut in the end-grain). In Europe beechwood was most commonly used; in Japan, a special type of cherry wood was popular. Woodcut first appeared in ancient China. From 6th century onward, woodcut icons became popular and especially flourished in Chinese Buddhism.
Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603 ...
Intaglio (/ ɪnˈtæli.oʊ, - ˈtɑːli -/ in-TAL-ee-oh, -TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2] It is the direct opposite of a relief print where the parts of the matrix that make the image ...
Old master print. The Three Crosses, drypoint by Rembrandt, 1653, state III of IV. An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in ...
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