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The ceiling contains layers of different decorative moldings and painted stencil work. The entry lobby contains the original Otis elevator, reputedly the company's first in Sacramento. It is still operational. Two door panels, with glass above and solid metal below, slide behind the same styled outer door to access the cab.
Doors are stained, featuring four panels and early hardware, and there are original French doors opening onto the verandahs. [1] Walls on the first-floor are rendered and painted brick in an overall light green colour scheme with dark brown trim. Three fireplaces have been retained, each with marble surrounds, however all have been boarded over ...
The Gros Cap church is a rectangular gabled wood-frame structure covered with clapboard painted white. The front facade is symmetric, with a double-door center entrance in a projecting square tower. The tower has a pointed-arch stained glass window above the doors, and three small circular windows, one in each side of the tower, above.
Above the door is a stained glass window in a half-circle design, hinting at the very different style inside the building. For the inside, Claude & Starck went back to the Prairie Style which they used in many other buildings. Walls are painted plaster divided by birch trim boards.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
These motifs recur in the stained glass window transoms. The south wall is of mahogany with brass trim; it features the Music Room's fireplace, flanked by carved Corinthian pilasters. [1] The Reception Room features intricately patterned plaster walls and ceilings. Two of its windows have gold-stained panels, and an original crystal chandelier ...
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It is painted a potter's clay beige color with white trim. It has a flat roof with large display windows along its street frontage. Above the display windows are sets of pebbled transom windows with green borders; in the center of each set are opening insets decorated by stained-glass emblems of the name "Bend".
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