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Nocturne toured as the opening act of Pigface in The Free For All Tour and Dope & Mushroomhead's The Music For Freedom Tour promoting Guide to Extinction during spring and summer/fall of 2005. After this the band went on an indefinite hiatus that continues up to today, although Conner and Telkes reunited in 2007 to perform single Shallow in the ...
Frédéric Chopin's Nocturne in G Minor, Op. 15, No. 3. The marking "languido e rubato", slow tempo, and subdued dynamics creates an evocative mood characteristic of nocturnes. A nocturne is a musical composition that is inspired by, or evocative of, the night.
These pieces were admired by Frédéric Chopin, who subsequently made the piano nocturne famous, and Franz Liszt, who published an edition of the nocturnes based on rare Russian sources that incorporated late revisions by Field. Liszt's preface to the said edition was an extensive eulogy for Field and his nocturnes.
Nocturne is a 1999 action-adventure survival horror video game set in the late 1920s and early 1930s – the Prohibition and Great Depression era. The player takes the part of The Stranger (voiced by Lynn Mathis), [4] an operative of a fictional American Government secret organization known as "Spookhouse", which was created by President Theodore Roosevelt to fight monsters.
The piece departs from the usual ternary form in a Chopin nocturne. The concluding section is not only unrelated thematically to the opening one but in a different key (F major). The last four bars return to G minor, though the final chord is major (a Picardy third), as is usual in a Chopin nocturne. Recording by Olga Gurevich from Musopen.
Download QR code; Print/export Download as PDF; Printable version; In other projects ... "Nocturne", by Billy Joel from Cold Spring Harbor, 1971
Nocturnal After John Dowland, Op. 70 is a classical guitar piece composed in 1963 by English composer Benjamin Britten for guitarist Julian Bream. [1] It is considered one of the most influential works written in the twentieth century for the classical guitar.
Satie's notebooks reveal that he initially intended to present the Nocturnes with the whimsical literary humor that the Parisian public had come to expect from him. The first piece had the working title Faux Nocturne and was accompanied by one of those little stories he enjoyed writing for the pianist's private amusement: [f]