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A ceremony worshipping the sarcophagus of Osiris, depicted in a fresco in the Temple of Isis at Pompeii from the first century CE. The death of Osiris was a prominent motif in the cult of Isis. The sarcophagus's appearance here may refer to the emphasis on Osiris and the afterlife found in the mysteries dedicated to Isis. [1]
The Places of Roman Isis. Vol. 1. Oxford University Press. Meyers, C. (2016). "The Cult of Isis and Other Mystery Religions in Pompeii and the Roman World." Nappo, Salvatore. "Pompeii: Guide to the Lost City", White Star, 2000, ISBN 88-8095-530-6; Plutarch. "Isis and Osiris" from the Moralia, Book V. Available on penelope.uchicago.edu
The remains of the temple of Isis on Delos The Temple of Isis in Pompeii Cossura bronze coin showing a portrait of Isis with Punic legend Cults based in a particular city or nation were the norm across the ancient world until the mid- to late first millennium BCE, when increased contact between different cultures allowed some cults to spread ...
Toggle Mysteries of Isis subsection. 1.1 Support from Ffranc. 1.2 Coordinator comment. 1.3 Comments by Johnbod. 1.4 Comments by Ceoil. 1.5 Source review. 1.6 Ceoil. 1 ...
The Villa of the Mysteries (Italian: Villa dei Misteri) is a well-preserved suburban ancient Roman villa on the outskirts of Pompeii, southern Italy.It is famous for the series of exquisite frescos in Room 5, which are usually interpreted as showing the initiation of a bride into a Greco-Roman mystery cult.
Mahmud is on his cellphone and he can’t get through. It’s the first image in Hogir Hirori’s startling “Sabaya,” an intense, deeply embedded documentary following the painstaking and ...
The Temple of Isis, Pompeii. The Temple of Isis. The Temple of Isis too portrayed an Egyptian influence on Pompeii’s art. Wall painting of the Navigium Isidis from Pompeii VIII.7.28 (The Temple of Isis. Specifically, the walls of the temple are decorated with a variety of Egyptian mythological scenes.
The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. [1] It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.