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Don't Look Back in Anger is an Irish documentary television programme, first broadcast in 2018. [1] [2] Each episode covers a particular year in Irish history, using archive material (mostly from TV3 and Virgin Media Ireland), on-screen text in English and contemporary music to tell the story of a particular year.
In December 1996, Melody Maker ranked "Don't Look Back in Anger" number 31 in their list of "Singles of the Year". [22] In a 2006 readers' poll conducted by Q magazine, it was voted the 20th-best song of all time. [23] In May 2007, NME magazine placed "Don't Look Back in Anger" at No. 14 in its list of the "50 Greatest Indie Anthems Ever". [24]
This episode features the short film, Don't Look Back in Anger, in which an aged John Belushi visits the graves of the "Not Ready for Primetime Players" cast and claims he's the last living member. (The sketch is now seen as ironic due to Belushi's being the first of the original cast to die.)
Episode: "Don't Look Back in Anger" 2015 Surprised by Love: Granddad Television film Video games. Year Title Role ... [7] 2009 SpongeBob's Truth or Square:
3.4 Episode 4 (7 December) 3.5 Episode 5 (14 December) 3.6 Week 6 ... "Don't Look Back in Anger" by Oasis: undisclosed SAFE Week 6 (21 December) - Final.
Don't Look Back in Ongar is a 2024 comic novel by Irish playwright and author Paul Howard and is the twenty-fourth and last novel in the Ross O'Carroll-Kelly series. [1] [2]The title refers to the song "Don't Look Back in Anger" (and possibly the nostalgic Virgin Media TV series) and the Dublin suburb of Ongar.
Don't Look Back (Nat Adderley album), 1976; Don't Look Back (Natalie Cole album), 1980; Don't Look Back – The Very Best of The Korgis, 2003; Don't Look Back, an album by Al Green, 1993; Don't Look Back, an album by Anelia, 2004; Don't Look Back, an album by Lonnie Lee, 1993; Don't Look Back, a mix album by Timo Maas, 2005
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".