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Queen Victoria and the Prince Consort at home, 1841. Her dress shows the fashionable silhouette, with its pointed waist, sloping shoulder, and bell-shaped skirt. 1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s ...
The source code of this SVG is due to 2 errors. This W3C- invalid chart was created with the Wikimedia parliament diagram creator . This chart uses embedded text/digits (the number of members).
A similar silhouette remained in the 1850s, while certain elements of garments changed. Necklines of day dresses dropped even lower into a V-shape, causing a need to cover the bust area with a chemisette. In contrast, evening dresses featured a Bertha, which completely exposed the shoulder area instead. Bodices began to extend over the hips ...
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.
While the dress coat and the morning coat are knee-length coats like the frock coat and traditionally share the waist seam of the precursor, they are distinguished by the cutaway of the skirt which gives dress coats and morning coats tails at the back. From the 1920s, the frock coat was increasingly replaced as day formal wear by the cut-away ...
Morris Angel started his business in 1840 in the Seven Dials area of London, near Covent Garden, selling second-hand clothing and tailors' samples from Savile Row. [6] Morris Angel's shop became popular with theatrical actors, who at that time had to purchase their own clothes and costumes for auditions and performances.
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