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"Baby Can I Hold You" is the third single released by American contemporary folk artist Tracy Chapman, released in October 1988. The song reached the top 50 in the United States, unlike its predecessor, " Talkin' 'bout a Revolution ", but it failed to become Chapman's second top 40 hit, peaking at number 48.
Three singles from the album, the title track, "This Time", and "Baby Can I Hold You" reached numbers 7, 9, and 28, respectively on Billboard's Adult Contemporary chart. [4] " This Time" also reached #17 on the Irish Singles Chart . [ 5 ]
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
"I Can't Hold Out" has been described as a "jumping 'Dust My Broom' styled number ... that featured Dixon's trademark stop-time arrangement after each verse". [2] After recording the song in April 1960, Chess prepared for a rush release of the single in May 1960, to capitalize on the success of James' previous single for Fire Records, "The Sky Is Crying", which was then entering the Billboard ...
The disco breakdown was inspired by the R&B scene in Toronto in the late 1970s, and the post-breakdown guitar chords had up to 24 tracks layered on top of each other. [6] The song, like "Lay It on the Line" from the same album, was written two years before the release of the album.
"Hold On" is a song from the album John Lennon/Plastic Ono Band by John Lennon. It features only vocals, tremolo guitar, drums, and bass guitar, typical of the sparse arrangements Lennon favored at the time. On the 2000 reissue of John Lennon/Plastic Ono Band, "Hold On" features a slightly longer introduction. The original version was restored ...
The Last Dinner Party's much-hyped debut album, "Prelude to Ecstasy," over-delivers on the promise of excitement and novelty. Although several of its highlights were released ahead of time as ...
On the demos, you can hear the beginning of that, him mapping ideas, developing riffs and his twinkling guitar lines, laying the first brush strokes on which he would layer on magic in the studio ...