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A dough trough from Aberdour Castle, Fife, Scotland. A kneading trough is a term for the vessel in which dough, after being mixed and leavened was left to swell or ferment. The first citation of kneading-trough in the Oxford English Dictionary is Chaucer, The Miller's Tale, 1386. Flour was not stored, perhaps for fear of insect infestation, but ...
Trough zithers are a group of African stringed instruments or chordophones whose members resemble wooden bowls, pans, platters, or shallow gutters with strings stretched across the opening. [2] A type of zither , the instruments may be quiet, depending upon the shape of the bowl or string-holder.
Stocksdale's bowls are prized by collectors. They have been shown in Europe and Japan, and they appear in the permanent collections of the Smithsonian American Art Museum , the Metropolitan Museum of Art in New York, [ 8 ] the Oakland Museum , [ 2 ] Philadelphia Museum of Art and the Royal Scottish Museum in Edinburgh, Scotland .
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
Ridge and furrow is an archaeological pattern of ridges (Medieval Latin: sliones) and troughs created by a system of ploughing used in Europe during the Middle Ages, typical of the open-field system. It is also known as rig (or rigg) and furrow, mostly in the North East of England and in Scotland. [1] [2] [3]
Silver bowl from the St Ninian's Isle Treasure. There are two known silver bowls, both smaller than most bronze examples at about 15 centimetres (6 in) across. These are the now lost Witham bowl, found in Lincolnshire in the 19th century and now known only from good quality drawings, and a bowl from the St Ninian's Isle Treasure. The Witham ...
Bowls (1916) by Paul Strand Bowls , also known as Abstraction, Bowls , is a black and white photograph taken by Paul Strand in 1916. The photograph has elements of cubism and abstractionism , and exemplifies his style at the time.
When he broke the fine stoneware bowl from which he had been eating, they bought him a wooden bowl that could not break. His four-year-old grandson played with wood as well and said that he was making a trough for his parents to eat from when they were old. After that, they let him eat at the table again and did not complain about the spill.