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Since the 1990s, Anita and Poju Zabludowicz have been accumulating a 500-artist, 5,000-piece collection of contemporary artwork. [16] [17] [18] They exhibit their private art collection at three different locations, one of them being 176, a gallery in a former 19th-century Methodist chapel in Chalk Farm, north London. [19]
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Madame & Eve. Women Portraying Women. ISBN 978-1-78627-156-3; Jenni Sorkin and Linda Theung, "Selected Chronology of All-Women Group Exhibitions, 1943-1983," in Wack!: Art and the Feminist Revolution. Los Angeles: The Museum of Contemporary Art, 2007. Print. Catherine de Zegher (2015). Women's Work is Never Done. Ghent: Mer. Papers Kunsthalle.
Two women who lived a century apart created fascinating, striking paintings − mostly of women – that are now on view at the Columbus Museum of Art. “Robin F. Williams: We’ve Been Expecting ...
Gogi Saroj Pal (3 October 1945 – 27 January 2024) was an Indian artist. She worked in multiple media, including gouache, oil, ceramic and weaving. Her works usually had women as their subject, and many of her paintings had a fantastical element that commented on the female condition.
Historian Susan L. Smith defines the "power of woman" as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history or romance to exemplify a cluster of interrelated themes that include the wiles of woman, the power of love and the trials of marriage. [6]
Schalcken's 1680 painting of a woman painting was attributed to Godfried Schalken before its restoration in the 20th century revealed the full signature, that of his sister Maria Schalcken. Often the daughters of painters, wives or sisters of painters, female artists have seen their work unrecognized or minimized - if not ridiculed or vilified ...
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