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  2. Iambic pentameter - Wikipedia

    en.wikipedia.org/wiki/Iambic_pentameter

    As the examples show, iambic pentameter need not consist entirely of iambs, nor need it have ten syllables. Most poets who have a great facility for iambic pentameter frequently vary the rhythm of their poetry as Donne and Shakespeare do in the examples, both to create a more interesting overall rhythm and to highlight important thematic elements.

  3. John Milton's poetic style - Wikipedia

    en.wikipedia.org/wiki/John_Milton's_poetic_style

    Here again he was not an innovator, following for example the Adamus Exul (1601) of Hugo Grotius, and the Adamo (1615) of Giovanni Battista Andreini. Milton believed that the Bible was a precursor to the classical forms relied on by the Greeks and Romans, and that the Bible accomplished what the Greeks and Romans wished in a more suitable ...

  4. Poetry analysis - Wikipedia

    en.wikipedia.org/wiki/Poetry_analysis

    Rhymed pairs of iambic pentameter lines form the heroic couplet. Two masters of the form are Alexander Pope and John Dryden. The form has proven especially suited to conveying wit and sardonic humor, as in the opening of Pope's An Essay on Criticism. ’Tis hard to say, if greater want of skill Appear in writing or in judging ill;

  5. Milton's Prosody - Wikipedia

    en.wikipedia.org/wiki/Milton's_Prosody

    with a suitable definition of elision, there are no mid-line extra-metrical syllables; the stresses may fall at any point in the line, although most lines have the standard five stresses, there are examples of lines with only three and four stresses. Thus according to Bridges' analysis Milton was writing a form of syllabic verse. At the time ...

  6. Poetic devices - Wikipedia

    en.wikipedia.org/wiki/Poetic_devices

    Also known as “un-rhymed iambic pentameter", blank verse is an unrhymed verse written in iambic pentameter. In poetry, it has a consistent meter with 10 syllables per line ( pentameter ). Unstressed syllables are followed by stressed syllables, five of which are stressed but do not rhyme.

  7. Sonnet 71 - Wikipedia

    en.wikipedia.org/wiki/Sonnet_71

    It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter: × / × / × / × / × / No longer mourn for me when I am dead (71.1)

  8. Sonnet 138 - Wikipedia

    en.wikipedia.org/wiki/Sonnet_138

    It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 6th line exemplifies a regular iambic pentameter: × / × / × / × / × / Although she knows my days are past the best, (138.6)

  9. Iamb (poetry) - Wikipedia

    en.wikipedia.org/wiki/Iamb_(poetry)

    Related to iambic heptameter is the more common ballad verse (also called common metre), in which a line of iambic tetrameter is succeeded by a line of iambic trimeter, usually in quatrain form. Samuel Taylor Coleridge's The Rime of the Ancient Mariner is a classic example of this form. The reverse of an iamb is called a trochee.