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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
Generative metrics [a] is the collective term for three distinct theories of verse structure (focusing on the English iambic pentameter) advanced between 1966 and 1977.. Inspired largely by the example of Noam Chomsky's Syntactic Structures (1957) and Chomsky and Morris Halle's The Sound Pattern of English (1968), [1] these theories aim principally at the formulation of explicit linguistic ...
The argument, all bare, is of more worth ... The 7th line exemplifies a regular iambic pentameter: ... Text is available under the Creative Commons Attribution ...
It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter: × / × / × / × / × / No longer mourn for me when I am dead (71.1)
Like many of the others in the sequence, it is written in a type of metre called iambic pentameter, which is based on five pairs of metrically weak/strong syllabic positions per line. Typically English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. [2]
The missing text at the beginning of line two is generally attributed to be a printing error, since in the earliest version of the sonnet the second line begins with a repetition of the last three words of the previous lines, commonly called an eye-skip error, which breaks the iambic pentameter.
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Also known as “un-rhymed iambic pentameter", blank verse is an unrhymed verse written in iambic pentameter. In poetry, it has a consistent meter with 10 syllables per line ( pentameter ). Unstressed syllables are followed by stressed syllables, five of which are stressed but do not rhyme.