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The Aláàrìnjó tradition influenced the popular traveling theatre, which was the most prevalent and highly developed form of theatre in Nigeria from the 1950s to the 1980s. In the 1990s, the popular traveling theatre moved into television and film and now gives live performances only rarely. [134] [135]
The Princess Theatre musicals in New York City during the First World War, and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to the modern "book" musical, where songs and dances are fully integrated into a well-made story with serious ...
When peace did come, a flourish of cultural influence and growing merchant class demanded its own entertainment. The first form of theatre to flourish was Ningyō jōruri (commonly referred to as Bunraku). The founder of and main contributor to Ningyō jōruri, Chikamatsu Monzaemon (1653–1725), turned his form of theatre into a true art form.
After World War II, American theater came into its own. Several American playwrights, such as Arthur Miller and Tennessee Williams, became world-renowned. In the 1950s and 1960s, experimentation in the Arts spread into theater as well, with plays such as Hair including nudity and drug culture references.
These German playwrights and many others explored and evolved expressionist theatre and drama until the movement faded in popularity throughout Germany by 1924. [2] In the 1920s theatrical expressionism became very popular in the United States among audiences and artists alike.
Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh, where actors re-enact episodes from Muslim history. In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali's sons Hasan ibn Ali and Husayn ibn ...
Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
However, farce did not appear independently in England until the 16th century with the work of John Heywood (1497–1580). A significant forerunner of the development of Elizabethan drama was the Chambers of Rhetoric in the Low Countries d Henry VII both maintained small companies of professional actors.