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Osiris was the Egyptian god of the afterlife. Ancient Egyptians believed that kings preserved in the likeness of Osiris would rule the Kingdom of the Dead. It never totally replaced the older cult of the sun, in which dead kings were thought to be reanimated as the sun-god Re, whose body was made of gold and lapis lazuli.
Cartonnage or cartonage is a type of material used in ancient Egyptian funerary masks from the First Intermediate Period to the Roman era. It was made of layers of linen or papyrus covered with plaster. Some of the Fayum mummy portraits are also painted on panels made of cartonnage. [2]
Ka-Nefer-Nefer (fl. 13th century BCE) was an ancient Egyptian noblewoman who lived during the Nineteenth Dynasty. She is known in modern times for her funerary mask, which is in the possession of the Saint Louis Art Museum. The museum bought the mask in 1998 from the art supplier Phoenix Ancient Art of New York and Geneva.
The death mask of 18th century sailor Richard Parker Golden funeral mask of Tutankhamun Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask. A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from ...
The Tutankhamun Exhibition in Dorchester, Dorset, England, is a permanent exhibition set up in 1986 by Michael Ridley as a re-creation of the tomb of the ancient Egyptian Pharaoh Tutankhamun. The exhibition does not display any of the actual treasures of Tutankhamun, but all artifacts are recreated to be exact facsimiles of the actual items.
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As early as the Old Kingdom (c. 2670–2195 B.C.), Egyptian artisans fashioned images of deities, kings, and mortals wearing broad collars made of molded tubular and teardrop beads. [1] The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite.
The Uraeus (/ j ʊəˈr iː ə s /) [1] or Ouraeus (Ancient Greek: Οὐραῖος, Greek pronunciation: [οὐραῖος] ⓘ; Egyptian: jꜥrt, "rearing cobra", plural: Uraei) is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt.
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