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A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah.
The phrase "hallelujah" translates to "praise Jah/Yah", [2] [12] though it carries a deeper meaning as the word halel in Hebrew means a joyous praise in song, to boast in God. [13] [14] The second part, Yah, is a shortened form of YHWH, and is a shortened form of his name "God, Jah, or Jehovah". [3]
[3] [4] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
(Chorus) Glory, glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! Our God is marching on. In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, [16] While God is marching on. (Chorus) Glory, glory, hallelujah!
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
The repeated lyrics in the chorus, “What was I made for? ... meaning, and purpose, and this song playing,” another person wrote in the comments. “have not cried in years like that. i am glad ...