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The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace , and can include elaborate designs extending to the ceiling.
Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
In 1791 the architect Sir John Soane enhanced its main rooms with marble chimneypieces, added an Ionic porch of Coade stone, a service wing and an ornate main hall. [ 113 ] ( 51°48′18″N 1°13′30″W / 51.805°N 1.225°W / 51.805; -1.225 ( Woodeaton Manor, Oxfordshire
Modern open fireplace An outdoor fireplace. A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Modern fireplaces vary in heat efficiency, depending on the design.
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
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The dining room is at the left rear, also featuring a fireplace. Above the fireplace was a Louis XVI-style painted and parcel-gilt mirror, continental, late 19th century. [26] A pair of paintings by Thomas Hudson, portraits of Mr. and Mrs. James Hilhouse of Cornwallis House, Clifton, Bristol, were hung in this room.
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