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The Kraken" is a sonnet by Alfred Tennyson (1809–1892) that describes the Kraken, a mythical creature. It was published in Tennyson's Poems, Chiefly Lyrical (1830). The critic Christopher Ricks writes that it is among the best poems in the volume, all of which originate in Tennyson’s "despondency". [ 1 ]
In the film the monster is a kraken, a giant squid-like sea monster in Norse mythology, rather than the whale-like Cetos of Greek mythology. Perseus defeats the sea monster by showing it Medusa's face to turn it into stone, rather than by using his magical sword, and rides Pegasus. [52]
This love term has to do with spirituality, and originates in the seventh or eighth century B.C.E., when it was mostly used by Christian authors to describe the love among brothers of the faith ...
The Modern Greek word "erotas" means "intimate love". Plato refined his own definition: Although eros is initially felt for a person, with contemplation it becomes an appreciation of the beauty within that person, or and may ultimately transcend particulars to become an appreciation of beauty itself, hence the concept of platonic love to mean ...
The kraken (/ ˈ k r ɑː k ən /, from Norwegian: kraken, "the crookie") [6] [7] is a legendary sea monster of enormous size, per its etymology something akin to a cephalopod, said to appear in the sea between Norway and Iceland.
Sonnets 153 and 154 use Greek mythology to portray the roles that the individuals have within the love triangle. Both sonnets involve Cupid, the god of love, and Diana, the virgin goddess of hunt. In sonnet 153, Cupid falls asleep, a virgin nymph takes the torch from cupid and tries to extinguish the fire but "she only succeeds in turning the ...
It allows the poet to stress certain words and shape the meaning of the poem. There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters. "Lyric meters (literally, meters sung to a lyre) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying ...
Ekphrastic poetry flourished in the Romantic era and again among the pre-Raphaelite poets. A major poem of the English Romantics – "Ode on a Grecian Urn" by John Keats – provides an example of the artistic potential of ekphrasis. The entire poem is a description of a piece of pottery that the narrator finds evocative.