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The site's consensus reads, "Led by an outstanding performance from Emmanuelle Devos, Violette is a rewarding, bracingly honest look at social mores and the literary life." [ 4 ] At Metacritic , which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 72, based on 14 reviews ...
Violette Nozière, also titled Violette, is a 1978 crime drama film directed by Claude Chabrol starring Isabelle Huppert and Stéphane Audran. It tells the true story of teenage prostitute and murderer Violette Nozière , who poisoned her parents in 1933 France.
Comolli was editor in chief of Cahiers du cinéma from 1966 to 1978, [2] during which period he wrote the influential essays "Machines of the Visible" (1971) and "Technique and Ideology: Camera, Perspective, Depth of Field" (1971–72), both of which have been translated in English anthologies of film and media studies.
Before becoming a film director, he was a journalist, novelist and film critic. [2] His contribution to the auteur theory centers on his notion of the caméra-stylo or "camera-pen" and the idea that directors should wield their cameras like writers use their pens. [3] [4] In 1994, he was awarded the René Clair Award for his whole body of film ...
Jeanne la Flamme or Joan of Arc, patron saint of France; Feuer und Flamme, German artist Nena's fourth album; Fer et Flamme, graphical adventure game for the Amstrad CPC "Vers la flamme" (literally "Toward the flame"), Alexander Scriabin music piece for piano, written in 1914; All pages with titles beginning with Flamme
In 1889, he would patent a moving picture camera in which the film moved continuously. Another film camera was designed in England by Frenchman Louis Le Prince in 1888. He had built a 16 lens camera in 1887 at his workshop in Leeds. The first 8 lenses would be triggered in rapid succession by an electromagnetic shutter on the sensitive film ...
The landmark film Les Raquetteurs (1958), co-directed by Michel Brault and Gilles Groulx, is a key example, [10] as is Groulx's 1961 Golden Gloves. [13] Direct cinema techniques were also incorporated into a number of key fiction films of the period, such as The Cat in the Bag (Le Chat dans le sac) (1964) and La vie heureuse de Léopold Z (1965 ...
Cinématographe Lumière at the Institut Lumière, France. Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière).