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But mercy changed death into sleep; The sexes rose to work and weep. Thou, mother of my mortal part, With cruelty didst mould my heart, And with false self-deceiving tears Didst bind my nostrils, eyes, and ears, Didst close my tongue in senseless clay, And me to mortal life betray. The death of Jesus set me free: Then what have I to do with thee?
The poem was composed soon after Smith's death, and was later set to music and adopted as a hymn of the Church of Jesus Christ of Latter-day Saints (LDS Church). It was first published with no directly attached name in the church newspaper Times and Seasons in August 1844, approximately one month after Smith was killed. [ 1 ]
The Dream of Gerontius is an 1865 poem written by John Henry Newman, consisting of the prayer of a dying man, and angelic and demonic responses. The poem, written after Newman's conversion from Anglicanism to Roman Catholicism, [1] explores his new Catholic-held beliefs of the journey from death through Purgatory, thence to Paradise, and to God ...
The Dream of the Rood, a work of Christian epic poetry in Old English believed to date from the 7th century, preserved in the Vercelli Book; Heliand, an epic poem which retells the life of Jesus Christ in Old Saxon, alliterative verse, and like the story of a Pre-Christian Germanic tribal leader.
The title translates into The gospel according to poets and was a follow-up from a book anthology of classical 20th century Norwegian poetry depicting the life and death of Christ. All 12 tracks are unedited poetry written by Norwegian authors Jens Bjørneboe, Inger Hagerup, Erik Fosnes Hansen, Kaj Skagen, Georg Johannesen, Arnold Eidslott and ...
Cento Vergilianus de laudibus Christi (Latin: [ˈkɛntoː wɛrɡɪlɪˈaːnʊs deː ˈlau̯dɪbʊs ˈkʰriːstiː]; A Virgilian Cento Concerning the Glory of Christ) [nb 1] is a Latin poem arranged by Faltonia Betitia Proba (c. AD 352–384) after her conversion to Christianity.
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Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]