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Romans 13 is the thirteenth chapter of the Epistle to the Romans in the New Testament of the Christian Bible. It was authored by Paul the Apostle , while he was in Corinth in the mid-50s AD, [ 1 ] with the help of an amanuensis (secretary), Tertius , who adds his own greeting in Romans 16:22 .
Psalm 149 is the 149th psalm of the Book of Psalms, a hymn as the book's penultimate piece. The first verse of the psalm calls to praise in singing, in English in the King James Version: "Sing a new song unto the Lord".
A Selection of Psalms and Hymns for Diocese of Nova Scotia [7] [8] (1859) [9] A Church Hymn Book (1861) [10] A Selection of Hymns for the Use of Church of England Sunday Schools (1862) [11] Hymns for Public Worship in the Diocese of Fredericton [12] (1870) [13] Hymns for use in Sunday Schools [14] (1871) [15] Church hymnal (1874) [16] [17]
The dominant style in English-speaking Canada and the United States began as Gregorian chant and folk hymns, superseded after the 1970s by a folk-based musical genre, generally acoustic and often slow in tempo, but that has evolved into a broad contemporary range of styles reflective of certain aspects of age, culture, and language. There is a ...
The Tetragrammaton YHWH, the name of God written in the Hebrew alphabet, All Saints Church, Nyköping, Sweden Names of God at John Knox House: "θεός, DEUS, GOD.". The Bible usually uses the name of God in the singular (e.g. Ex. 20:7 or Ps. 8:1), generally using the terms in a very general sense rather than referring to any special designation of God. [1]
The KJV has 23 verses in chapter 14 and 33 verses in chapter 15 of Romans. Most translations follow KJV (based on Textus Receptus) versification and have Romans 16:25–27 and Romans 14:24–26 do not exist. The WEB bible, however, moves Romans 16:25–27 (end of chapter verses) to Romans 14:24–26 (also end of chapter verses).
[9] [13] [14] The first three Covenant hymnals in English used Johnson's translation, with The Covenant Hymnal (1973) including all nine verses of Boberg's original poem. There was a desire to replace Johnson's version with the more popular version of British missionary Stuart K. Hine's "How Great Thou Art".
Because "O Come, O Come Emmanuel" is a metrical hymn in the common 88.88.88 meter scheme (in some hymnals given as "8.8.8.8 and refrain" [13]), it is possible to pair the words of the hymn with any number of tunes. The meter is shared between the original Latin text and the English translation.