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The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument.
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The EverTune mechanism keeps a string's tension constant by using a spring and lever system. The EverTune bridge keeps a guitar in tune despite changes in tension. [1] [3] The mechanical device maintains a constant state of tension despite changes in temperature or humidity or the exertion of pressure on the string.
The braces roughly run under the feet of the archtop guitar's bridge. X-bracing, similar to that of flat-top guitars was later introduced. Their tops are inherently stronger than flat tops, so less bracing may be required. "Trestle" bracing was a system used on some Gretsch archtops [14]
He played rhythmic dancing music on a guitar. Patient zero of the Delta blues. Mentor to Charley Patton, the first blues star, who mentored or influenced Son House, Robert Johnson, Muddy Waters ...
His TransTrem guitar was the third one made. David Torn uses the TransTrem extensively and has demonstrated its use on his Painting With Guitar instructional videos. David Gilmour used a Steinberger GL with TransTrem bridge and Active EMG Pickups while recording the 1987 Pink Floyd album A Momentary Lapse of Reason.
The system is absolutely, 100% designed to send you back to prison. There is simply no way a normal ex-con can get out of the "cycle" on their own. edit: this was in one of, if not the most ...
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