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  2. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    [citation needed] From that, we can list the scales and the triad qualities and the seventh chord qualities in each scale as degrees of Dorian mode and Aeolian dominant scale (Dorian ♯3 ♭6 scale) and Neapolitan major scale (Dorian ♭2 ♯7 scale) and double harmonic scale (Dorian ♭2 ♯3 ♭6 ♯7 scale) and the two types of Dorian ...

  3. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Download as PDF; Printable version; ... Aeolian mode or natural minor scale: Aeolian on C. ... Slendro on C compared to a whole tone scale on C.

  5. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.

  6. Heptatonic scale - Wikipedia

    en.wikipedia.org/wiki/Heptatonic_scale

    A heptatonic scale is a musical scale that has seven pitches, or tones, per octave. Examples include: the diatonic scale; including the major scale and its modes (notably the natural minor scale, or Aeolian mode) the melodic minor scale, like the Aeolian mode but with raised 6th and 7th ascending

  7. Aeolian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Aeolian_dominant_scale

    The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .

  8. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively. However, from the perspective of pitch axis theory, we consider all scales to have the B root - so we would say that the progression is B Aeolian, B Dorian, B Lydian, and B Phrygian.

  9. Chord diagram (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_diagram_(music)

    Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]