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Albert Wendt references the song, slightly and purposefully revising it in his first novel, Sons For the Return Home (1973). In Terry Pratchett's 1995 novel Maskerade, the witches hear this song being sung by a neighbour taking an evening bath, and are surprised when he switches from English to Italian when he thinks he is being overheard. When ...
"After the Rain" is a song by Canadian rock band Nickelback. It was released on October 22, 2017 as the fourth and final single from their ninth studio album, Feed the Machine . [ 1 ] The song was written by frontman Chad Kroeger with Ali Tamposi , and is Nickelback's second collaboration with Tamposi after the latter had performed backing ...
Song based on a real-life drunk driving crash [9] and the impact of a subsequent organ donation. "Lights on the Hill" Slim Dusty: 1973: The song describes a trucker driving at night with a heavy load being blinded by lights on the hill, hitting a pole, falling of the edge of a road and realising his impending death. "Limousine" Brand New: 2005
“You can have pain that radiates to the jaw or down the arm. So, if you’re having unexplained left-sided jaw pain, better to be safe than sorry.” Jaw pain can be a symptom of: TMJ (the joint ...
"Runnin' Back to Saskatoon" is a song written by Burton Cummings and Kurt Winter. The song was recorded by the Canadian rock group The Guess Who on May 22, 1972, for the album Live at the Paramount [ 1 ] and is also included on their 1974 album The Best of the Guess Who, Vol. 2 .
The song tells of a hitchhiker (the singer, in first person) trying to return home from the West Coast.On the third day of his trip, while at a crossroads in a driving rain, the hitchhiker is picked up by "Big Joe" driving his tractor-trailer named "Phantom 309."
‘Pretty Isn’t Pretty’ “It’s in my phone, it’s in my head, it’s in the boys I bring to bed,” the second verse reads. “It’s all around, it’s all the time, I don’t know why I ...
"After the Rain" is a song by American glam metal band Nelson, released as a single in 1990. Critical reception. In review of 5 January 1991 Paul Elliott of Sounds ...